A Tale of Two
Cities is a documentary photography project that focuses on two cities:
New Orleans, Louisiana, USA and Cork, Ireland. With a title borrowed
from the Charles Dickens novel of 1859, the project takes a look at two
cities that have experienced unprecedented change over the last few
years.
Cork, like much of Ireland has experienced an economic boom that
brought with it opportunities never thought possible. With urban
development creating a rapidly evolving cityscape and profound shifts
in demographics, the city is undergoing enormous change. New Orleans
has experienced the opposite fate. After Hurricane Katrina made
landfall on August 29th 2005, the worst flooding in the area's history
devastated eighty percent of the city.
New Orleans, like Cork, is historically a port city; one is on the
Mississippi while the other is on the river Lee. Geographically placed
on the southern coast of both countries, both cities are relatively
small and compact hugging their respective rivers. Culturally strong
and independent, they also both share a long history with the sea.
A Tale of Two Cities brings together two artists, one from each
city. Harry Moore lives and works in Cork and has created a series of
pinhole photographs of that city while Malcolm McClay has documented
the rebuilding of New Orleans. Both artists have worked together to
create two bodies of work that appear quite different, yet share common
ground.
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Harry Moore
Parliament Bridge
Cork, Ireland 2003 |

Harry Moore
Clarkes Bridge, low tide
Cork, Ireland
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Harry Moore Nano Nagel Bridge,
Cork, Ireland 2002
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Malcolm
McClay's photographs and accompanying stories are a tribute to the
people of New Orleans. Each photograph has been printed and then the
homeowner has written his or her story in the sky around and above
their house. The stories take us from Hurricane Katrina to the present,
with each resident focusing on the aspects of rebuilding and recovery
that affected them the most. Collectively, the photographs and stories
become a testament to the resilience and determination of the people
involved.
Harry Moore, using pinhole technology photographed the bridges of Cork,
always when the river levels were at their lowest revealing the tide
lines on the stone and metalwork, reminiscent of the New Orleans
dwellings. Long exposure times of up to 40 minutes removed any images
of people and movement from the shots. He views the bridge as a neutral
area, no man's land, a point of not belonging to either side, a symbol
of connectivity, prominent in the City and always above the water. (The
lunar tidal range of the river Lee can be over 15 feet between the
highs and lows). Cork is subject to flooding, and should future
development in Cork not be responsive, the potential for drastic
flooding will be increased substantially. Property developers need to
heed climate change predictions and consider the whole of society,
local and elsewhere, before covering the land with icons of their own
power and self-importance.
Harry Moore's Statement

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Malcom McClay House
New Orleans
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Malcom Mcclay
House
New Orleans
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Malcom McClay
House
New Orleans
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